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The Writer John Graves
Southwestern Writers Collection at TxState Presents a Multi-media
Exhibit Mounted from its Extensive Graves Archives
Exhibit runs through September 30, 2002.
- On-Line Exhibit Brochure (248k)
SAN MARCOS, Texas, March 20, 2002 - Manuscripts, letters,
photographs, video clips, handwritten notes, personal memorabilia,
a bronze sculpture-and, of course, books-narrate the diverse
story of John Graves' writing career, in the latest exhibit from
the Southwestern Writers Collection at Texas State University-San Marcos.
Graves, best known for his 1960 book
Goodbye to a River, is one of Texas' most revered writers,
honored in 2000 with the prestigious Bookend Award for lifetime
achievement by the Texas Book Festival. The Southwestern Writers
Collection at TxState is the major repository of Graves' archives,
including most of his literary papers, working drafts and correspondence
with editors, plus scrapbook material and personal artifacts,
the bulk of which the Collection acquired in 1991 and to which
Graves continues to add.
Curator Amanda Thompson designed the exhibit to illustrate
the full scope of Graves' writing career, beginning with an example
of his remarkable early success: the yellowed typewritten manuscript
of his first published short story, "A Rouse," which
The New Yorker accepted (and retitled as "Quarry")
in 1947 while he was still a graduate student at Columbia University.
Also displayed from this period are Graves' master's thesis on
"Techniques in the Fiction of William Faulkner," and
a Columbia report card for John Alexander Graves III showing
impressive marks in seven subjects.
The presentation on Goodbye to a River is spotlighted
with, among other things, personal scrapbook pages, the 1958
edition of the West Texas Historical Association Yearbook
where Graves' published the first account of his now-legendary
175-mile trip down the lower Brazos river, and the venerable
canoe paddle that swept him along on his three-week journey.
Also of note is the landmark correspondence between Texas
Monthly founding editor William Broyles, Jr. and John Graves,
documenting how the writer came to work for the magazine in 1974.
On view as well is the original manuscript of "Coping,"
the first article he wrote for the Texas Monthly "Country
Notes" series which would eventually become From a Limestone
Ledge: Some Essays and Other Ruminations about Country Life in
Texas.
Hard Scrabble: Observations on a Patch of Land, The Last
Running and From a Limestone Ledge are among the many
Graves works showcased with accompanying artifacts-and from start
to finish the exhibit is punctuated with comments in Graves'
own hand-giving viewers a glimpse of the human presence and thought
processes surrounding the famous writer's setting of words to
page. One item in particular draws the eye: the well-worn Royal
Standard typewriter Graves used to create Hard Scrabble, The
Water Hustlers, and a host of essays and articles from the
late 1960s to 1982.
Although he has only published four major books, John Graves'
contributions to journalism and literature are extensive. Three
of his early short stories were collected in the O. Henry award
series. He has written introductions and narratives for a number
of books on Western topics, such as Cowboy Life on the Western
Plains, Digging into South Texas History, and Of Birds
and Texas. Two of Graves' most famous short pieces, "The
Last Running" and "Blue and Some Other Dogs,"
were recreated in special-edition books published by The Encino
Press. Graves has also contributed to magazines and literary
collections for over four decades, and has just completed a series
of articles for Texas Parks & Wildlife about the rivers
of Texas. A John Graves Reader, published by the University
of Texas Press in 1996, was the first title in the Southwestern
Writers Collection Book Series, and John Graves and the Making
of Goodbye to a River: Selected Letters, 1957 1960,
published in a keepsake edition by TaylorWilson in 2000, was
created in part from the Graves archives at the Southwestern
Writers Collection.
Representatives of all of the above-and more-hold their place
in this chronologically-minded retrospective. John Graves' writing
over the years is testimony to his native Texas: the "woods,
hills, mountains, prairies, deserts, and the bays and islands
along the Gulf Coast...vegetation, geological phenomenon, and
beasts and birds...battles, Indian tribes, and other historic
matters...towns, accents, dialects, myths, livelihoods, skills,
attitudes, and local ways." The land and people of the Southwest
resonate in the breadth of his work, and continue to spur him
on at the age of eighty-two.
Exhibit curated by Amanda Thompson, Special Collections Intern,
with assistance from Steve Davis, Connie Todd, Mandy York, Carla
Ellard, Jill Hoffman, and Tina Ybarra.
What & When: The Writer John Graves exhibit runs through
September 30, 2002. Where: The Southwestern Writers Collection
is housed adjacent to the Wittliff Gallery on the top floor of
the Alkek Library on the campus of TxState in San Marcos, halfway
between Austin and San Antonio. Exhibit Hours: Monday through
Friday 8 a.m. to 5 p.m. (Tuesday until 9 p.m.), Saturday 9 a.m.
to 5 p.m., and Sunday 2 p.m. to 6 p.m. Directions & Further
Information: Call 512-245-2313, or visit the Southwestern Writers
Collection online at http://www.library.txstate.edu/swwc. To speak
with Head Curator, Connie Todd, call (512) 245-8361. Admission:
Entrance to all Southwestern Writers Collection exhibits is always
free.
The Southwestern Writers Collection at Texas State University-San Marcos
was founded in 1986, and has since become
a distinguished and steadily growing archive charged with preserving,
exhibiting, and providing access to the papers and artifacts
of principal writers, filmmakers, and musicians of the Southwest.
Its resources attest to the tremendous diversity of creative
expression among southwestern artists and contribute to a rich
research environment within which students and others may discover
how the unique conditions and character of the region have shaped
its people and their cultural arts.
- Two Day Symposium with John Graves: September 6 &
7, 2002
A JOHN GRAVES
READER
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